Coordination: Jesus Rodrigo / Clara Romero.
1.
1.
I. memory other
Text: Oblivion Marvao.
II. uses of memory.
II. uses of memory.
Text: Carlos Muñoz Gutiérrez.
III. time without a subject. Deleuze and the ontology of cinema.
III. time without a subject. Deleuze and the ontology of cinema.
Text: Berta Perez .
IV. But what did Marguerite Duras? An approach to The rapture of Lol V. Stein.
IV. But what did Marguerite Duras? An approach to The rapture of Lol V. Stein.
Text: Isabel Mercadé .
V. Celibidache: Evocation in five movements.
V. Celibidache: Evocation in five movements.
Text: Pablo Romero.
VI. The Final spaces, the language of the cities.
VI. The Final spaces, the language of the cities.
Text: Faustino Sanchez.
VII. Proust. Literary time and memory.
VII. Proust. Literary time and memory.
Text: Juan Miguel Ariño.
VIII. Sumire no longer smokes. Comments on a novel by Haruki Murakami .
VIII. Sumire no longer smokes. Comments on a novel by Haruki Murakami .
Text: Mariano García Cruz.
IX. Holes in the metro tickets.
IX. Holes in the metro tickets.
(From I remember of Perec to Portrait of Levé).
Text: Daniel Dillinger.
X. The reinvention of memory.
X. The reinvention of memory.
Text: Jesús García Hermosa.
XI. Fragments about film and memory.
XI. Fragments about film and memory.
Text: Isabel Escudero.
XII. Born A space of time. Proust and Proust in the film.
XII. Born A space of time. Proust and Proust in the film.
Text: Ramón Juan Miguel Company.
XIII. Ghost Registration. The memory in the work of Andrei Tarkovsky.
XIII. Ghost Registration. The memory in the work of Andrei Tarkovsky.
Text: Aaron Rodriguez Serrano.
XIV. beats the image.
XIV. beats the image.
Text: Ricardo Martín Adalia .
XV. The fire of the word. About disenchantment.
XV. The fire of the word. About disenchantment.
text: Ferrando Pablo García.
XVI. Memory as assembly. Letter from an Unknown .
XVI. Memory as assembly. Letter from an Unknown .
Text: Pilar Pedraza.
XVII. The past continuous. (Or the impalpable mist of memory of Claude Simon).
XVII. The past continuous. (Or the impalpable mist of memory of Claude Simon).
Text: Caution Max.
XVIII. Alain Robbe-Grillet. Landslides progressive memory.
XVIII. Alain Robbe-Grillet. Landslides progressive memory.
Text: Oscar Brox.
XIX. Last Year at Marienbad .
XIX. Last Year at Marienbad .
Text: Nuñez Cristina Pereira.
2.
XX. The words of things. Matter, memory and mount Christopher Nolan.
Text: Agustín Rubio Alcover.
XXI. on memory and oblivion. The case of Philip K. Dick.
XXI. on memory and oblivion. The case of Philip K. Dick.
Text: Irene Lucas Ramon.
XXII. Travel to a memory possible.
XXII. Travel to a memory possible.
Text: Núñez Cristina Pereira.
XXIII. A nostalgic.
XXIII. A nostalgic.
Text: Pascual Blanco Cecilia .
XXIV. The momentary vacuum.
XXIV. The momentary vacuum.
Text: Marisa López Mosquera.
XXV. living memory.
XXV. living memory.
Text: María José Coutinho Bosch .
XXVI. Cortocirtuitos of emotion. And the memory was made flesh.
XXVI. Cortocirtuitos of emotion. And the memory was made flesh.
Text: Fernando Uson Forni.
XXVII. Terence Davies: Realism memory.
XXVII. Terence Davies: Realism memory.
Text: Alberto Haj-Saleh .
XXVIII. forget about me!, Michael Gondry. The memory erased.
XXVIII. forget about me!, Michael Gondry. The memory erased.
Text: Daniel Muñoz Ruiz.
XXIX. André Téchiné : Alice and Martin . The man without words.
XXIX. André Téchiné : Alice and Martin . The man without words.
Text: Hector G. Barnes .
XXX. Shadow recovered.
Brief overview the cinema show in Spain.
Text: Txomin Ansola González.
XXXI. machines make memories.
XXXI. machines make memories.
Text: Mariel Manrique.
XXXII. Our memory as well.
XXXII. Our memory as well.
Text: Bless.
XXXIII. But what of that.
XXXIII. But what of that.
Text: Terence Davies .
XXXIV. memory of the dead.
XXXIV. memory of the dead.
Text: Rodrigo Alba Ceres.
SHANGRI-LA N º 11.2
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